Trumpet Quotes


This collection of quotes has been collected from many sources.   The main places that they have appeared are on the Trumpet Players International Network (TPIN), and the rec.music.makers.trumpet Usenet news group.  Any corrections or additions are welcome.

Any instrument well played will open my heart, but only the heavenly scream of a trumpet will rapture my Soul – Joe Correia

There are two sides to a trumpeter's personality.  There is the one that lives only to lay waste to the woodwinds and strings, leaving them lying blue and lifeless along the swath of destruction that is the trumpeter's fury.  And then there's the dark side.

  ---Michael Stewart (adapted from a Nike advertisement)---


We grow up hearing that trumpeters blew down the walls of Jericho, that Gabriel's trumpet announces the will of God, and that the largest and hippest of all animals, the elephant, has a trunk mostly (we think) for trumpeting. These grandiose images shape the classic trumpet persona: brash, impetuous, cocky, cool, in command. Anyone who has ever played in a band knows that if the conductor stops rehearsal because a fight breaks out, if somebody takes your girlfriend, if a tasteless practical joke is pulled, if someone challenges every executive decision no matter how trivial, it's got to be a trumpet player. That's just how we are.

---Sweet Swing Blues on the Road, Wynton Marsalis 1994---


You have to remember the trumpet is a mean instrument. Sometimes I feel like throwing it out the window, it's such a beast. There are times when it treats you so sweet and nice that everything comes out just perfect.

Then you come back to it the next night, rub your hands together and say to yourself your'e going to do it all over again.

You pick up the horn, put it to your chops and the son of a bitch says: SCREW YOU!!!!!

---Roy Eldridge---


In music and art, there's this little window that we've got that the whole planet agrees upon is a cool thing to do.  It's all right to make music.

--- Chick Corea--- to the graduating class at Berklee College of Music


Every player, no matter how good, makes mistakes, but the very best performers do two things: they don't tolerate them in practice sessions, correcting the slightest mishap in an unhurried, determined manner (also practicing with concentration and slowly enough so that mistakes are not learned); and in performance, they react to any error by immediately raising their level of energy and concentration, staying loose and aggressive.

---Chris Gekker or Ray Mase---


In a world of political, economic and personal disintegration, music is not a luxury but a necessity, not simply because it is therapeutic nor because it is the "universal language," but because it is the persistent focus of man's intelligence, aspiration and good will.

---Robert Shaw---


The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs.  There's also a negative side.

---Hunter S. Thompson---


Rhythm is not a matter of the ear or of the finger only; it is a matter of the two fundamental powers of life, namely, knowing and acting.

---Carl Seashore--- In Search of Beauty in Music



Our inmost yearning, our deep desire for harmony in an extra-musical, transcendental sense feels affirmed, confirmed and calmed by music, and in this sense music seems to me a message a lofty ethical message that brings good tidings to the ethical part of our being from the mysteries of the world of sound.

---Bruno Walter---


Music gives us ontological messages which non-musical criticism is unable to contradict, though it may laugh at our foolishness in minding them.

---William James--- The Varieties of Religious Experience



... digestion exists for health, and health exists for life, and life exists for the love of music or beautiful things.

---G. K. Chesterton


After silence, that which best expresses the inexpressible, is music. 

---Aldous Huxley---


There is nothing to it. You only have to hit the right notes at the right time and the instrument plays itself.

---Johann Sebastian Bach---


I would teach the children physics, philosophy, and music; and of these, music is the most important, for in the arts lies the understanding of all humanities.

---Plato---



Trummet ist ein herrlich Instrument, wenn ein guter Meister, der es wol und knstlich zwingen und regieren kan, darber kmpt und ist gleich zu verwundern, dass auff diesem Instrument ohne Zge in der Hhe fast alle Tonos nacheinander auch etliche Semitonia haben, und man allerley Melodeyen zu wege bringen kan.

---Michael Praetorius---

The trumpet is a wonderful instrument when a good player is available who can both control it and perform artistically, and one is immediately surprised that on an instrument without slides, in the high register nearly all tones are available one after the other, also a fair number of semitones, and that one can play all sorts of melodies.

---Michael Praetorius (translation by David McNaughtan)---


Music is not just the black dots on the white paper -- it's what happens when those black dots on the white paper go into your heart, and come out again.

---Phil Smith---


You are what you practice.
---M. Minasian---

Release the air, don't blow the air.
 ---T. McIrvine---

Play like you are pissed off -- after all, we aren't talking about midda' C!
---S. Englebright---

The lips do not play the horn.
---H.L. Clark---

If you think "song" you will play song.  If you think "kack" you will play "kack."
---S. Kramer---

There's no need to "over" correct certain notes and no need whatsoever to try and project your sound.
 ---J. Ackley---

Use lip buzzing after every playing session and you will be shocked at the results.
 ---Clint "Pops" McGlaughlin---

The trumpet can be the easiest instrument if you just let it.
---S. Englebright---

You can't make it happen -- you must let it happen.
---T. Phillips---

Hit it hard and wish it well.
---Claude Gordon---

Don't practice quickly and hope it gets better; practiceexcellence and hope it gets faster.
---Frank Campos---

Find a tempo at which you can play a passage without a mistake.Play it perfectly 4 times in a row. Then increase the metronome nomore than 8 beats per minute. Repeat until you arrive at performance tempo.
---Dave Evans---

You've got a little mud on that Cadillac. Mud looks terrible on aCadillac. My job is to wash it off.
---Jack Robinson---

Embouchure is only 10 percent of trumpet playing. But that 10 percent has got to be 100 percent right.

Horn in the head, horn in the hand.
---Arnold Jacobs---

Stay down as you ascend and stay up as you descend.
---Jimmy Stamp---

If I only played when my chops felt good it would be about once every two weeks.
---Armando Ghitalla---

The audience doesn't care how you feel; they came to hear you play.
---Bryan Edgett---

Always play to the cheap seats. That's where the critics sit. Thepeople who sit up front don't come to hear you play; they come to situp front.
---Dave Evans---

Be harder on yourself in the practice room and be easier onyourself in performance.
---Bryan Edgett---

On working as a church musician: Often, the church is like Noah'sark. If it weren't for the storm _outside_ the stench _inside_ wouldbe unbearable!
---Chuck Colson---

Make it sound like a dance instead of like a fist fight.
---Bryan Edgett---

Emphasize the pick-up notes, the notes on weak beats, and those on the weak parts of the beat. The notes on the strong beats and onthe strong parts of the beat will sound full because they fall instrong places.
---Bryan Edgett---

That playing reminds me of kissing my grandmother. It's somethingI did out of duty, perhaps out of love, but something that yielded no real passion or joy.
---Bryan Edgett---

That passage was played allegro slopozo.
---Joseph Primavera---

"P" does not mean powerful.
---Bryan Edgett---

Tuba, change beat one of bar 4 to a b-flat.  It is a b-flat.It wasn't the last time.
---Wayne Dorothy---

When you play, make statements; don't ask questions.
---Arnold Jacobs---

An amateur practises until he can play it right : a professional practises until he can't get it wrong.

Todays preperations earns tomorrows success.

Satisfaction is the beginning of failure.

Failing to prepare, is preparing to fail.

Losers make excuses, winners find solutions.

Failure is not an option, it's just a nagging possibility that helps me stay focused.

Success in the big things comes from success in the little things.


Long Quotes

When I was very young, I thought of myself as a trumpet-player. Period.  I was obsessed by the trumpet. I practiced day and night.  I reached a level of playing that was as good, or maybe even better than most of the guys in my hometown, Philadelphia.  I was a TRUMPET-PLAYER.  The trumpet was the most important thing in my life.  I did not need friends.  I did not need family.  I was a TRUMPET-PLAYER.

I grew older, and found out that I could play with the best of them, I mean, other trumpet-players.  Somewhere along the way I discovered Music.  I then became obsessed with trying to make music on the trumpet.  My role models were woodwind players and singers.   I strove to make my playing as suave and sophisticated as the very best of them.  I was now a TRUMPET-PLAYING MUSICIAN.

I had little people skills, I was always complaining about the other guys.  Why can't they play like me?  Then I got married, and still had no tolerance for my fellows.  I started to see, because of my relationship with my family, that the trumpet had to be second to my family.  What a shock! I found through some soul searching that my whole outlook on life had changed.  I was no longer a TRUMPET-PLAYER, but I am PERSON.

---Wilmer Wise---



Forward to Georg Rhau's Symphoniae, a collection of chorale motets published in 1538, as follows:


I, Doctor Martin Luther, wish all lovers of the unshackled art of music grace and peace from God the Father and from our Lord Jesus Christ! I truly desire that all Christians would love and regard as worthy the lovely gift of music, which is a precious, worthy, and costly treasure given to mankind by God. The riches of music are so excellent and so precious that words fail me whenever I attempt to discuss and describe them.... In summa, next to the Word of God, the noble art of music is the greatest treasure in the world. It controls our thoughts, minds, hearts, and spirits... Our dear fathers and prophets did not desire without reason that music be always used in the churches. Hence, we have so many songs and psalms. This precious gift has been given to man alone that he might thereby remind himself that God has created man for the express purpose of praising and extolling God. However, when man's natural musical ability is whetted and polished to the extent that it becomes an art, then do we note with great surprise the great and perfect wisdom of God in music, which is, after all, His product and His gift; we marvel when we hear music in which one voice sings a simple melody, while three, four, or five other voices play and trip lustily around the voice that sings its simple melody and adorn this simple melody wonderfully with artistic musical effects, thus reminding us of a heavenly dance, where all meet in a spirit of friendliness, caress and embrace. A person who gives this some thought and yet does not regard music as a marvelous creation of God, must be a clodhopper indeed and does not deserve to be called a human being; he should be permitted to hear nothing but the braying of asses and the grunting of hogs.



The following is a direct quote from Dodworth's Brass Band School, published in 1853.  The discussion addresses instrumentation of small brass bands of that era comprised of instruments in the sax-horn family, and of course the Dodworth-patented cornet.  His book includes scores of several tunes for a small brass band of 12 instruments plus drums, but makes the following statement that I thought will get a smile even today.  No additional comment necessary..  [And, I'm not making any of this up as Dave Barry would say.]
---Jerry Lahti---

The author would take occasion to say here that the addition of trombones and trumpets is more in accordance with public taste than with his own, for these fine instruments are so constantly abused, by those who mistake noise for music, that the appearance of one of them in a band, is an object of very considerable annoyance.  For what reason, almost all who use these instruments think it necessary to blow them until they crack or snarl, is difficult to understand; that it is so, will be very generally admitted, for many players seem to imagine, that the more snarl and crack, or less tone they produce, the greater the effect, -- this is a most unfortunate error, and is an error that has had a very mischievous effect upon the public mind, with regard to brass instruments and bands, -- how unreasonable it is then to sacrifice so many sublime effects for the mere matter of making a noise, which appears to be the great object of many brass bands, as if it was necessary to make up in quantity what was lacking in quality, but noise is certainly a sorry substitute for music.

This matter is not confined to brass bands only, the brass department of many of our finest orchestras, conducted by the most able directors, is used as if the only object of that portion of the orchestra was to alarm the audience occasionally.  However, it is hoped that enough has been said to call the attention of the reader to this most lamentable abuse of a truly noble branch of music.



Trumpet Poetry

Ode to Transposition

I think that I shall never see
A marking as painful as "Trumpet in E."
For E requires augmented fourths,
And leaves me frought with great remorse.
Since D is only a major third,
A few mistakes are all that's (sic) heard.
And C is just a step away,
So seldom does it lead me astray.
When searching for transposition perfection,
B-flat is always in the right direction.
For mistakes are made by fools like me,
But only God can play in E.


    A Tone Poem
            by
    Rick Pethoud


Fuzzy Wuzzy is my sound,
Crass and strident like my hound.
No definition, my tone have I,
No clarity; it makes me cry.
And pitch eludes me with indignation,
But then, who cares 'bout intonation.
My high notes squeak.
My low notes chatter.
My midrange sucks!
God, what's the matter?!
But despite my woes I continue to play
In hopes that my faults will leave me some day.
But until my troubles have gone off to rest,
I'll keep up my playing
and yes, do my best


TRUMPET VOODOO

My tone is so bad, I'm so forlorn
I need something new to stick on my horn;
whatever works is a big temptation,
maybe what I need is an incantation...

Bubble, bubble, toil and trouble..
Bring me a high-C and make it double.
Powdered bat-wing, eye of newt...
all I want to do is toot!

Some heavy valve caps, or new valve oil,
(do I freeze my horn or make it boil?)
A new mouthpiece or two for sure,
I'll scrape off the lacquer to find a cure.

Automatic spit valves would be cutest;
I just wanna be a real good TOOTIST!
A coil in my tubes? Now that's the ticket,
but I'm running out of room or places to stick it.

If trumpet voodoo is what it takes
I'll see what difference this stuff all makes.
With a new grime gutter and a mute or two
I'll circular-breathe till my face turns blue.

But it just doesn't work, 'cause I still sound bad,
and I think that maybe I've been had,
so I'll send it all back, even tho it was fun,
and get out old Arbans, and start on page one...


TRUMPET

Remember this about the TRUMPET
You either have to like or lump it,
Some want it sweet, some want it martial
But no one ever is impartial.
In old times, at a trumpet call
A regiment would scale a wall,
But now the army, getting frugal,
Just wakes them with a blatant bugle.
To sound it tinny and acute
You stuff it with a pointed mute-
(with dance bands derby hats are normal
But symphonies are more informal.)
Some trumpeters assert it's best
To play it close against the chest
But even they are due to jump
When Angel Gabriel plays his trump.

---Laurence McKinney---


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